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Lorraine Hunt Lieberson sings Handel Arias | Avie AV2792

Lorraine Hunt Lieberson sings Handel Arias

£13.34

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Label: Avie

Cat No: AV2792

Barcode: 0822252279221

Format: CD

Number of Discs: 1

Genre: Vocal/Choral

Release Date: 24th October 2025

Contents

Works

Handel, George Frideric

Cantata HWV145 'La Lucrezia' (O Numi eterni)
Serse (Xerxes), HWV40
» Frondi tenere ...Ombra mai fu
» Se bramate d'amar chi vi sdegna
Theodora, HWV68
» As with rosy steps
» Lord, to Thee each night and day
» Oh bright example...Bane of virtue
» She's gone...New scenes of joy

Artists

Lorraine Hunt Lieberson (mezzo-soprano)
Stephen Stubbs (lute, Baroque guitar)
Phoebe Carrai (cello)
Margriet Tindemans (viola da gamba)
Orchestra of the Age of Enlightenment

Conductor

Harry Bicket

Works

Handel, George Frideric

Cantata HWV145 'La Lucrezia' (O Numi eterni)
Serse (Xerxes), HWV40
» Frondi tenere ...Ombra mai fu
» Se bramate d'amar chi vi sdegna
Theodora, HWV68
» As with rosy steps
» Lord, to Thee each night and day
» Oh bright example...Bane of virtue
» She's gone...New scenes of joy

Artists

Lorraine Hunt Lieberson (mezzo-soprano)
Stephen Stubbs (lute, Baroque guitar)
Phoebe Carrai (cello)
Margriet Tindemans (viola da gamba)
Orchestra of the Age of Enlightenment

Conductor

Harry Bicket

About

This deluxe, 21st anniversary reissue of Lorraine Hunt Lieberson’s legendary recording of the character Irene’s arias from George Frideric Handel’s Theodora – plus the composer’s cantata La Lucrezia and the evergreen aria “Ombra mai fu” from Serse – evokes vivid memories of the mezzo-soprano’s galvanising musicianship and opens the ears of a new generation of music lovers to appreciate the timelessness of Lorraine’s poignant interpretations. Specially remastered for this CD, the longevity of these performances is a testament to Lorraine’s unique voice and soul.

Conductor and leading Baroque specialist Harry Bicket recalls the immediate musical connection he and Lorraine shared from the time they first met in 1996 during rehearsals for Theodora at Glyndebourne. When Peter Sellars’s staging of the cantata was revived in 2003, it seemed obvious to go into the studio to record Lorraine’s Theodora arias.

A maverick musician and a riveting performer, Lorraine died in 2006 due to complications from cancer at the far-too-young age of 52. This recording, one of her last, preserves her consummate musical persona for posterity. The New Yorker’s classical columnist Alex Ross characterised the album as “pull-down-the-blinds, unplug-the-telephone, can’t-talk-right-now beautiful. She’s singing it again; I have to go.”

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